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Malayalam Movie Download RocknRolla > DOWNLOAD








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In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player – a drugged-out rock 'n' roller presumed to be dead but very much alive – has a multi-million-dollar prize fall into his hands.
Lenny Cole, a London mob boss, puts the bite on all local real estate transactions. For substantial fees, he's helping Uri Omovich, a Russian developer. As a sign of good faith, Omovich loans Cole a valuable painting, promptly stolen off Cole's wall. While Cole's men, led by the dependable Archie, look for the canvas, three local petty criminals, the Wild Bunch, steal money from the Russian using inside information from his accountant, the lovely Stella. Meanwhile, a local drug-addled rocker, Johnny Quid, is reported drowned, and his connection to Cole is the key to unraveling the deceits and double crosses of life in the underworld.
Guy Ritchie burst onto the scene with the fast-paced and amazingly brilliant LOCK, STOCK, AND TWO SMOKING BARRELS, followed by the equally impressive SNATCH. Both films rank highly in my Top 20, and for that reason I absolutely adored, admired, and praised Guy Ritchie. Then came Madonna. And she ruined everything. Guy Ritchie was never the same after the marriage, directing the monstrosity that was SWEPT AWAY (with Madonna in the lead role, no less), followed by the garbled mess that was REVOLVER. ROCKNROLLA is supposed to represent Ritchie&#39;s return to his roots following the high-profile divorce, but it feels more forced and contrived than free-flowing and natural. Too much of the script feels borrowed and clichéd. It just doesn&#39;t live up to the promise of the first 10 minutes or so.<br/><br/>Nonetheless, it is a step in the right direction, and is something to build on. There was simply too much focus on the uninteresting sub-characters. The sub-characters in LOCK, STOCK, AND TWO SMOKING BARRELS and SNATCH. were at least interesting and captivating, and invoked a genuine cause for concern. That is not the case here. There is just not enough screen-time for Gerard Butler, Tom Wilkinson, or the stunning Thandie Newton. Rocknrolla himself is not well-developed, save for a few scenes mildly reminiscent of the style of the Guy Ritchie of old.<br/><br/>Again, the movie seems unnatural and forced. The ending is unsatisfactory and there is no real catharsis a movie like this may warrant. It&#39;s nowhere near as brilliant as his first two. But it&#39;s nowhere near as sickening as his previous two. 7/10 is quite generous, but I remain optimistic about what the future holds for Ritchie, now that he has gotten rid of the old (the very old) ball-and-chain. 2.5 stars. May appear on my Honourable Mention list. Maybe not. Hopefully, in the absence of Madonna, Ritchie can use this film as a stepping stone in the right direction. Rumours of a sequel cause me to salivate…but not much…
(This review will probably not help anyone) The new Guy Richie movie is like Lock Stock and Two Smoking Barrels, Snatch and Layer Cake only more so. Its hip, its happening and very well made. For the life of me I couldn&#39;t tell you what happens in it or why you should care to see it other than its not bad for what it is. What it is is a knock off of the three earlier films by Richie and Matthew Vaughn that is certainly better then Revolver, but nothing special on its own, especially if you&#39;ve seen the earlier films. I&#39;ve been there and done that and didn&#39;t need to feel that I&#39;ve wasted my time watching a tread. Is Guy Ritchie that limited of a talented filmmaker? I&#39;d wait for cable.
As punchy and energetic as the first few moments are, the rest of the film quickly falls back into mediocrity.
The script for RocknRolla was written by English film director and screenwriter <a href="/name/nm0005363/">Guy Ritchie</a>. People ask the question what&#39;s a RocknRolla? And I&#39;ll tell &#39;em it&#39;s not about drums, drugs, and hospital drips, oh no. there&#39;s more there than that, my friend. We all like a bit of the good life - some the money, some the drugs, others the sex game, the glamour, or the fame. But a RocknRolla, oh, he&#39;s different. Why? Because a real RocknRolla wants the fucking lot. –Archy (<a href="/name/nm0835016/">Mark Strong</a>) As Archy tells Johnny Quid (<a href="/name/nm1527905/">Toby Kebbell</a>): &quot;It cost a very wealthy Russian an arm and a leg (implying Uri)&quot;. Tank (<a href="/name/nm1996829/">Nonso Anozie</a>) meets Archy at Lenny (<a href="/name/nm0929489/">Tom Wilkinson</a>)&#39;s office and tells him, &quot;I have a bit of news about your painting&quot;. Cut to a scene of Lenny interrogating two men. Handsome Bob (<a href="/name/nm0362766/">Tom Hardy</a>) met Stella&#39;s husband at her party and he agreed to go out with him if he could get Bob the file. In another scene Bob, is on the phone with Stella&#39;s husband and he tells Bob where to pick up the file. He and Mumbles (<a href="/name/nm0252961/">Idris Elba</a>) pick it up, call One Two (<a href="/name/nm0124930/">Gerard Butler</a>) and arrange to meet at his place where Archy is waiting. Tank calls him and tells him &quot;first I find your painting, now I find out who&#39;s been taking Lenny&#39;s money&quot;. In the scene after Lenny shoots Johnny, Archy takes the file from Bob and reads from it. He tells Lenny, &quot;but I&#39;ve seen this name many times over the last 20 years and I always wondered…&quot;, and then it goes to a flashback of Archy in Lenny&#39;s office looking at a piece of paper and asking, &quot;…who is this Sydney Shaw, Len?&quot; Lenny snatches the paper away from him and tells him, &quot;nothing to do with you&quot;. It&#39;s obvious Sydney Shaw was Lenny&#39;s alias and Archy being so close to Lenny knew he used that name. When Archy goes to pick up Lenny&#39;s two million from the Spealer, he says in his narration, &quot;the Wild Bunch have had to put a little extra money on top to ignite Lenny&#39;s contacts and maybe, just maybe, Lenny&#39;s magic wand can make Bob&#39;s legal paperwork mysteriously disappear&quot;. Cut to the scene where Bob surprises One Two at Spealer, Archy calls him and tells him, &quot;someone lose a bit of paperwork did they, One Two? Yeah well next time you remember that&#39;s exactly why you pay Lenny, understood?&quot; &quot;Rock and Roll Queen&quot; by The Subways. The song used in the later trailer is &quot;I&#39;m a Man&quot; by Black Strobe. Archy says, &quot;You&#39;ll never sing the same if your teeth ain&#39;t your own.&quot; Possibly. At the end of the film, there is a title card stating, &quot;Johnny, Archy and the Wild Bunch will be back in The Real RocknRolla&quot;, and Thandie Newton (Stella) has been quoted in MTV Movies Blog as saying, &quot;RocknRolla is one of three films and Guy&#39;s keen to get going on that straightaway.&quot; The working title for the third movie is Rocknrolla Suicide and, according to Ritchie, would bring the characters to America. It is implied that they are both killed. Stella is probably killed by Uri&#39;s assistant Victor after Uri see that she has his painting. Her death isn&#39;t shown on screen, but is implied when Victor asks for his gloves on his way in. Uri&#39;s death is implied when Archy tells Johnny that the painting &quot;cost a very wealthy Russian an arm and a leg&quot;. Both deaths are implied, but neither are confirmed. Perhaps it will be explained in The Real Rocknrolla.
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